![]() One night, they stumbled upon an old Wilburn Brothers episode featuring Jean Shepard promoting her new record at the time. She and Stuart spent time on YouTube, watching old and new talent alike, scanning for classics they feel deserve to be revisited. Finally, I said, ‘We better finish this up before the driver kicks us off this bus.'” “We worked awhile on ‘Here Comes My Baby’, longer than usual. Smith and Stuart contributed two original tracks written together as well, the soaring “Here Comes My Baby Back Again” and the weeper “Spare Me No Truth Tonight.” The two penned both tracks, each distinctive, on a bus ride back from “God knows where.” Smith laughs, as she recalls the process. The raw footage from that session made its way to the new collection, taking the proud place of track one. “And when he heard this one going down, he said, ‘No one make a mistake, this is it.” They recorded the song live on set, and when they concluded, Stuart grabbed the tape from the control room. “Marty’s got this uncanny sense of what’s ought to be, what’s going to be, and what should be,” says Smith. This song is where The Cry of the Heart began. During the eighth and final season of The Marty Stuart Show in 2014, Smith joined Stuart and his band the Fabulous Superlatives onstage for “A Million and One”-a 1966 hit for her fellow Grand Ole Opry member Billy Walker. This 11-track collection captures that described magic. ![]() “But when you get all that, and the right musicians, it just turns out to be magic.” ![]() “I’m a song lover, and the lyrics have to fit something I would sing, and the rest of my music,” Smith tells American Songwriter about her new collection. Her new collection exhibits the familiar sounds and prolific storytelling Smith has purveyed over her spanning country music career. Smith’s new project comes after the Library of Congress announced that her song “Once a Day” was one of the 2020 selections for its National Recording Registry. Her latest, The Cry of the Heart-released August 20 via Fat Possum-marks Smith’s 54th studio album and her third with Stuart. The two married and went on to record another Stuart-produced album in 2011. In the studio, she fell in love with her producer, Marty Stuart, in the process of recording her self-titled 1998 album. It wasn’t until the late 1990s that Smith returned to her artistry. Between 19 she landed five top 10 singles including “I’ll Come Runnin’ and “Burning a Hole in My Mind.” Her song “Cincinnati, Ohio,” resonated so profoundly that the city of Cincinnati declared an official “Connie Smith Day” in June of 1967.Īfter riding high on the music business wave, Smith-who says she “never anticipated any level of fame”-turned inward to focus on raising her five children. After climbing to the top of the charts with the track, co-penned by fellow Opry legend Bill Anderson, the West Virginia and Ohio-reared artist reigned supreme. Connie Smith emerged from the country music scene with a breakthrough RCA single, “Once A Day,” in 1964.
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